I knew that I needed to capture the moment, but no planes or helicopters were permitted to fly. Amsterdam is my official base, but I’m only really there once a month or so. What can you achieve from the air that you can’t from the ground?In a way, it’s become a part of my visual language. Photography; Books; Exhibitions; News; About; Contact; Facebook; Instagram; Two Sides of the Border December 20, 2020. 2021 Catalog nai010 publishers Books Exhibition Catalogues 9789462085817. Tell us about a shot that really challenged you.It was probably the aerial photograph I took of Manhattan just after Hurricane Sandy happened. Iwan Baan's interest in human connection is reflected in his ability to shift from architectural photographer to documentarian. The Japanese are always unique in their way of thinking about space and how it’s created and used. Iwan Baan. I studied photography at the Royal Academy of Art in The Hague and after that I worked as a documentary photographer in New York for six years. I think a photograph should tell a story, and not just about the building itself but about its context. css: "" At times there were 10,000 people on the construction site—a sort of mini village. What are some of your favorite places?I like going to places where my Western upbringing is turned on its head. Iwan, a Bali Wedding Photographer is a remarkable photography registry of the world’s quality wedding photographer who are not afraid to push the points of confinement of expert wedding photography to surprise you with extraordinary wedding photographs of your wedding. The exhibition of photographs and architecture models… Oct 10, 2018 - Explore 桂 超's board "Iwan Baan photography" on Pinterest. Out of pure luck I found someone to take me up there anyway, and I was able to take the photograph that became the cover of New York Magazine. That’s one of the best things about being able to travel so much; I get to immerse myself in all these different environments, and end up seeing lots of wholly unique places. ), Dutch architectural photographer who used unexpected perspectives and the presence of people and movement to revive the traditionally static art of photographing structures. It required huge technological advancements. “I feel there is a story to be told in how the building sits within the context of the city”. Your work takes you around the world. Since that day I’ve been surrounded by architects. In this series, Baan expands his lens to encompass Dudok as a designer not only of singular buildings but of whole landscapes in which people are able to live, work and learn. Through stunning aerial and street photography, Iwan Baan pays tribute to one of Dutch modernism’s most influential urban designers. What makes a good photograph of a building?I think a photograph should tell a story, and not just about the building itself but about its context. Born in 1975, Iwan grew up outside Amsterdam, studied at the Royal Academy of Art in The Hague and worked in publishing and documentary photography in New York and Europe. Among my favorite Japanese architects are SANAA, Junya Ishigami, Sou Fujimoto, and Toyo Ito. Elbphilharmonie, Hamburg – Herzog de Meuron. Dutch photographer Iwan Baan is known primarily for images that narrate the life and interactions that occur within architecture. My wife and I also have a place in upstate New York, which is very rural, and the total opposite of the big cities and urban environments that I normally work in. I proposed that we should start documenting the construction over the next three to four years because I found it really fascinating to see how something like that could evolve over time, and how it could be shaped by all kinds of cultural factors. Videography & Photography by Mickey Houlihan, Djuna Zupancic, Erik Petersen, Iwan Baan, Kathy Kasic, and Taylor Fraser of Curve Blue, and Andre Costantini of Silly Dancing He has worked with Rem Koolhaas, Herzog & de Meuron, SANAA, Morphosis, Frank Gehry, Toyo Ito,… Additional insight into Dudok’s craft and its lasting influence on contemporary European architecture is provided by architectural historian Lara Voerman. It was when OMA and Koolhaas were just starting construction of CCTV in Beijing, China, which was at the time one of the biggest office buildings in the world. Iwan Baan is currently working on a book with Mexican architect Tatiana Bilbao, whose concrete Casa Ventura nestles in a forested hillside outside of the city of Monterrey, Mexico. See Iwan Baan's stunning winter photography of MAD's Harbin Opera House in Northeast China By Jason Sayer • May 13, 2016 • Architecture , International , Media (Courtesy Iwan Baan) IT'S EASY TO SEE WHY Iwan Baan is called the Indiana Jones of architecture photography. But don’t call him an architectural photographer. But that could also be true of a self-built community in Lagos, Africa. This publication compiles his series on… Within a week I had exchanged the camera for a better one, and since then I’ve never really stopped taking pictures. Subsequently it was used by the military as an ammunition dump during the Spanish Civil War and later abandoned, only to be rediscovered decades later and become architecture. At the other end of the spectrum I always put a lot of effort into going to places that are kind of off the regular architecture map. His photography is a window into the world around us. Manhattan had no electricity for six days, and half of the city was in darkness and half in light. He was working on a big exhibition in Brussels at the time, and I presented him with an idea of how to visualize it. Aerial photography gives you the feeling that you’re looking at an architectural model, allowing you to see how a city around it is shaped and how the building fits in—or doesn’t. That very quickly became something that appealed to me. Photographer Dutch photographer Iwan Baan first fell unexpectedly into the subject of architecture in 2005 when he documented the construction of the Office for Metropolitan Architecture’s China Central Television (CCTV) building and Herzog & de Meuron’s completed National Olympic Stadium, both in Beijing. At times there were 10,000 people on the construction site—a sort of mini village. Owned by the City of New York, the High Line is a public park maintained, operated, and programmed by Friends of the High Line, in partnership with the New York City Department of Parks & Recreation. Baan spoke to Luxury Defined about how his signature style developed and why context is everything. You often photograph from a helicopter. I’ve never really wanted to be called an architectural photographer, because that genre is focused solely on the building and the details, whereas I feel there is a story to be told in how the building sits within the context of the city. Recipient of the inaugural Julius Shulman award, Baan counts Rem Koolhaas, Zaha Hadid, Sou Fujimoto, and Herzog & de Meuron among his clients. Often these kinds of visual stories start to unfold in front of you. The Japanese are always unique in their way of thinking about space and how it’s created and used. Aerial photography gives you the feeling that you’re looking at an architectural model, allowing you to see how a city around it is shaped and how the building fits in—or doesn’t. I have the feeling that every time I go there it’s new and completely different. You cannot prepare too much beforehand, so it’s really about being aware of what’s happening around you. In his photos of informal communities around the world, he shows how vernacular architecture and placemaking serve as examples of human ingenuity. For instance, I love traveling to Japan. I have the feeling that every time I go there it’s new and completely different. But that could also be true of a self-built community in Lagos, Africa. Ca’n Terra is a house of the earth, and was first just that, earth then a quarry, voiding its Mares stone. With real estate, it’s all about location, location, location, and in a way photography is also like that. formId: "ef784d41-58d4-4a0a-9dac-815a0665ddfd", Today's most heralded: Iwan Baan In architectural photography, as with all forms of art, fashions change. The exhibition shows many buildings that had never before been documented, including the Pescher House in Wuppertal, created five years before the architect's death in the same city. His work tells a story that unfolds around the buildings he shoots. Photograph: Iwan Baan. With real estate, it’s all about location, location, location, and in a way photography is also like that. }); For me it was instant. You cannot prepare too much beforehand, so it’s really about being aware of what’s happening around you. It’s important to tell the story of how people use it and ask, ‘What is the unique aspect of this building that allows me to tell its story?’, It was probably the aerial photograph I took of Manhattan just after Hurricane Sandy happened. I proposed that we should start documenting the construction over the next three to four years because I found it really fascinating to see how something like that could evolve over time, and how it could be shaped by all kinds of cultural factors. Including photography by Iwan Baan and essays by Niklaus Graber, Kazi Khaleed Ashraf, Syed Manzoorul and Saif Ul Haque Often these kinds of visual stories start to unfold in front of you. I’ve never really wanted to be called an architectural photographer, because that genre is focused solely on the building and the details, whereas I feel there is a story to be told in how the building sits within the context of the city. The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. He has challenged a long-standing tradition of depicting buildings as isolated and static by representing people in architecture and showing the building's environment, trying "to produce more of a story or a feel for a project" and "to communicate how people use the space". See more ideas about architecture, architect, architecture design. Aug 2, 2017 - House before House S-Fujimoto-Sumika-9944.jpg Source: Dudok by Iwan Baan ARTBOOK | D.A.P. I choose projects very much because of the story around them: the context, the city, how people live in these places. Through impressive aerial and street photography, Baan conveys the breadth of Dudok’s practice as an urban designer, focusing in particular on his ability to expand metropolitan neighborhoods in a way that felt entirely natural. 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